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- n. 非自然存在物体未考
n. 人工制品,手工艺品25 次
Visit any antiques store and you’ll encounter artifacts from the past: photographs, letters, a brochure detailing the Sinclair dinosaur exhibit from the 1964-1965 World’s Fair, the ephemera of history.
走进任何一家古董店，你都会遇到来自过去的物品：照片、信件、一本详细介绍1964—1965年世界博览会上辛克莱恐龙展的小册子——这些都是历史的短暂遗留物。
Have you pondered the life cycle of intangible formats, digital information, given that those who produce these artifacts seldom make provision for their long-term preservation?
考虑到制作这些产物的人很少为其长期保存做准备，你是否思考过无形格式——数字信息——的生命周期？
For millennia, we’ve known what we’ve known due to artifacts that have survived, often despite their original creators’ neglect.
几千年来，我们之所以知道我们所知道的，是因为那些留存下来的物品，而它们往往是在原创者疏于保管的情况下留存下来的。
Thus we play an integral role in identifying, preserving, and providing accessibility to digital artifacts so that, while future researchers may find the digital realm a challenging place to ply their trade, they won’t find it an impossible one.
因此，我们在识别、保存数字资料并提供获取途径方面发挥着不可或缺的作用，这样，尽管未来的研究人员可能会发现数字领域是一个充满挑战的工作场所，但他们不会觉得那是一个无法开展工作的地方。
The author mentions the artifacts from the past to ____
作者提到过去的物品是为了____
Compared with digital objects, tangible artifacts ____
与数字对象相比，有形物品____
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Hard work should be done to preserve artifacts.
应努力保存文物。
There is no good reason that these artifacts should be beyond the ordinary reach of the educational objectives or inspiration of the generations to which they were left.
没有任何正当理由让这些文物脱离它们所传承给的那几代人的日常所及，无法服务于他们的教育目标、给他们以启迪。
Artifacts in museums have the power to inspire, and perhaps spark that need to learn and understand the nature of their creators.
博物馆里的文物具有启迪人心的力量，或许还能激发人们去了解和理解其创造者本质的需求。
Having said that, I do feel that whatever artifacts find their way to public museums should, in fact, be sanctioned as having been obtained on loan, legally purchased, or obtained by treaty.
话虽如此，我确实认为，任何进入公共博物馆的文物，实际上都应当被认定是通过借展、合法购买或依据条约获得的。
Stealing artifacts from other peoples’ cultures is obscene; it robs not only the physical objects, but the dignity and spirit of their creators.
从其他民族的文化中窃取文物是可耻的；它掠夺的不仅是实物本身，还有其创造者的尊严和精神。
To those of you in the comments section who are having strong feelings about artifacts being removed from cities in the US and Britain and returned to their countries of origin, I would ask you to consider: why do you think Americans have more of a right to easily access the Benin Bronzes than the people of Nigeria?
对于评论区里那些对文物从美国和英国的城市移走、归还原属国反应强烈的人，我想请你们思考一下：为什么你们认为美国人比尼日利亚人更有权利便捷地看到贝宁青铜器？
What intrinsic factors make the West a suitable home for these artifacts but preclude them from being preserved and displayed by their countries of origin?
是什么内在因素让西方成为这些文物的合适归宿，却使它们不能由其原属国保存和展出？
If your conclusion is that the West is better able to preserve these artifacts, think about why you’re assuming that to be true.
如果你的结论是西方更有能力保存这些文物，那就想想你为什么会认定这是事实。
It is clear that the countries of origin have never been compensated for the stolen artifacts.
显然，原属国从未因被盗文物而获得赔偿。
It is a flawed line of reasoning to argue against returning artifacts to their countries of origin.
反对将文物归还原属国的论证思路是有缺陷的。
Museum visitors can still learn as much from artifacts’ copies after the originals are returned.
原件归还后，博物馆参观者仍能从文物复制品中学到同样多的东西。
The real value of artifacts can only be recognized in their countries of origin rather than anywhere else.
文物的真正价值只有在其原属国才能得到认可，在其他任何地方都不行。
Ways to get artifacts from other countries must be decent and lawful.
从其他国家获取文物的方式必须正当合法。
Concern over security is no excuse for refusing to return artifacts to their countries of origin.
对安全的担忧不能成为拒绝将文物归还原属国的借口。
Certain artifacts are especially vulnerable because some pioneers in plastic art didn’t always know how to mix ingredients properly, says Thea van Oosten, a polymer chemist who, until retiring a few years ago, worked for decades at the Cultural Heritage Agency of the Netherlands.
高分子化学家西娅·范·奥斯滕说，某些手工艺品尤其脆弱，因为一些塑料艺术的先驱者并不总是知道如何恰当地混合原料。她在几年前退休之前，在荷兰文化遗产局工作了几十年。
Joana Lia Ferreira, an assistant professor of conservation and restoration at the NOVA School of Science and Technology, notes that archaeologists first defined the great material ages of human history — Stone Age, Iron Age, and so on — after examining artifacts in museums.
新里斯本大学科学技术学院文物保护与修复专业助理教授若阿娜·利娅·费雷拉指出，考古学家正是在研究了博物馆里的文物之后，才首次界定了人类历史上伟大的材料时代——石器时代、铁器时代等等。
obtaining durable plastic artifacts.
获取耐用的塑料文物
In Ferreira’s opinion, preservation of plastic artifacts ____
在费雷拉看来，保存塑料文物____
Thousands of Aztec artifacts came to light during the digging of the Mexico City subway in the 1970s.
20世纪70年代修建墨西哥城地铁期间，数以千计的阿兹特克文物重见天日。