capture简单

He captured the first-ever shots of iconic landmarks such as the Tetons, Old Faithful and the Colorado Rockies.

他首次拍下了提顿山脉、老忠实泉和科罗拉多落基山脉等标志性地标。

Throughout the trip, Jackson juggled multiple cameras and plate sizes using the “collodion process” that required him to coat the plates with a chemical mixture, then expose them and develop the resulting images with a portable darkroom. The crude technique required educated guesses on exposure times, and involved heavy, awkward equipment — several men had to assist in its transportation. Despite these challenges, Jackson captured dozens of striking photos, ranging from majestic images like his now-famous snapshot of Old Faithful, to casual portraits of expedition members at the camp. While veterans of previous expeditions wrote at length about stunning trail sights, these vivid photographs were another thing entirely.

在整个旅途中，杰克逊使用“火棉胶工艺”同时摆弄多台相机和多种尺寸的底片，这种工艺要求他先给底片涂上一层化学混合物，然后曝光，再用便携式暗室冲洗出影像。这种简陋的技术需要凭经验推测曝光时间，而且所用设备笨重难使——需要好几个人协助搬运。尽管困难重重，杰克逊还是拍下了几十张引人注目的照片，从他那张如今已闻名于世的老忠实泉快照这样的壮丽画面，到营地里考察队员的随意肖像，不一而足。以往考察的老手们曾长篇累牍地描写沿途的壮丽景色，而这些生动的照片则完全是另一回事。

Though Native Americans (and later miners and fur trappers) had long recognized the area’s riches, most Americans did not. That’s why Hayden’s expedition aimed to produce a fuller understanding of the Yellowstone River region, from its hot springs and waterfalls to its variety of flora and fauna. In addition to the entourage of scientists, the team also included artists: Painter Thomas Moran and photographer William Henry Jackson were charged with capturing this astounding natural beauty and sharing it with the world.

尽管美洲原住民（以及后来的矿工和毛皮猎人）早就认识到该地区的富饶，但大多数美国人并不了解。这就是为什么海登的考察旨在更全面地了解黄石河地区，从温泉、瀑布到各种动植物。除了随行的科学家，考察队还有艺术家：画家托马斯·莫兰和摄影师威廉·亨利·杰克逊负责捕捉这令人惊叹的自然之美，并将其与世界分享。

Spontaneous smiles were relatively easy to capture by the 1890s, so we must look elsewhere for an explanation of why Victorians still hesitated to smile.

到19世纪90年代，自然流露的笑容已相对容易捕捉，因此我们必须从别处寻找维多利亚时代的人为何仍不愿微笑的解释。

(50) Such actions to seek knowledge and to understand what information we already knew were captured by the Latin phrase “sapere aude” or “dare to know”, after Immanuel Kant used it in his essay “An Answer to the Question: What is Enlightenment?”.

(50) 在伊曼努尔·康德在其论文《回答这个问题：什么是启蒙？》中使用了拉丁语短语“sapere aude”（即“敢于求知”）之后，这一短语便概括了这种探求知识、理解已知信息的行为。

A moralist, satirist, and social reformer, Dickens crafted complex plots and striking characters that capture the panorama of English society.

狄更斯是一位道德家、讽刺作家和社会改革家，他精心构思了复杂的情节和鲜明的人物，描绘出英国社会的全景。

A butterfly takes off so quickly it is still impossible to react quickly enough to capture that take-off but if he half-presses the shutter, the camera saves the 70 previous frames before the moment he actually takes the picture.

蝴蝶起飞得太快，人仍然不可能反应快到捕捉到起飞的那一刻，但如果他半按快门，相机就会保存他真正按下快门之前的70帧画面。

After he’s captured the butterfly taking off, he layers 10 to 15 frames together in Photoshop.

拍到蝴蝶起飞后，他会在Photoshop中把10到15帧画面叠加在一起。

Peters’ signature shot is a butterfly “take-off”, showing the multiple wing-beats of one butterfly in one frame as it lifts off from a flower. How does he capture it? Technology helps. A typical digital SLR camera shoots 20 frames a second. He uses a high-speed OM System which shoots 120 frames a second.

彼得斯的招牌镜头是蝴蝶“起飞”，在一帧画面中展现一只蝴蝶从花朵上起飞时的多次振翅。他是如何拍到的？技术帮了忙。一台普通的数码单反相机每秒拍摄20帧，而他使用的是每秒可拍120帧的高速OM System相机。

A children’s author and poet who had become a keen amateur photographer, Peters watched the butterflies and idly wondered if he could capture them in flight. It swiftly became an obsession as he recovered from a successful operation to remove the cancer. In recent summers, he has travelled the length and breadth of Britain to photograph all 58 native species of butterfly. Now the fruits of those summers have been published in a beautiful new book.

彼得斯是一位儿童作家和诗人，后来成了一名热心的业余摄影师。他看着那些蝴蝶，随意地想自己能否拍下它们飞行的样子。在成功切除癌症的手术后康复期间，这个念头很快变成了一种痴迷。最近几个夏天，他走遍英国各地，拍摄了全部58种本土蝴蝶。如今，这几个夏天的成果已汇编成一本精美的新书出版。

Its energy and rhythm can capture a reader, transport them to another world and make them see things differently.

它的活力和韵律能够吸引读者，将他们带入另一个世界，让他们以不同的眼光看待事物。

In it, a mother is asked to interact with her child in a normal way before putting on a blank expression and not giving them any visual social feedback: the child becomes increasingly distressed as she tries to capture her mother’s attention.

实验中，母亲先被要求以正常方式与孩子互动，然后摆出一副面无表情的样子，不给孩子任何视觉上的社交反馈：孩子在试图吸引母亲注意的过程中变得越来越苦恼。

(47) It listed many documents in code that had been captured from the French army of Spain, and whose secrets had been revealed by the work of one George Scovell, an officer in British headquarters.

（47）附录列出了许多从驻西班牙法军那里缴获的密码文件，这些文件的秘密是由英军司令部一位名叫乔治·斯科维尔的军官破译的。

Pyle was famous for covering the [human] side of the war, writing about the dirt-snow-and-mud soldiers, not how many miles were [gained] or what towns were captured or liberated.

派尔以报道战争中人性的一面而闻名，他书写的是在泥土、雪地和泥泞中摸爬滚打的士兵，而不是攻占了多少英里土地，或是哪些城镇被攻克、被解放。