genius中等

Sir John Reith said that it would end “isolation of the spirit” and rejoiced: “It does not matter how many thousands may be listening, there is always enough for others...the genius and the fool, the wealthy and the poor listen simultaneously.”

约翰·里思爵士说，它将终结“精神上的孤立”，并欣喜地表示：“无论有成千上万的人在收听，总还有足够的空间留给其他人……天才与傻瓜、富人与穷人都在同时收听。”

By the time that Shakespeare was twenty-five, Lyly, Peele, and Greene had made comedies that were at once popular and literary; Kyd had written a tragedy that crowded the pit; and Marlowe had brought poetry and genius to triumph on the common stage — where they had played no part since the death of Euripides.

到莎士比亚二十五岁时，黎里、皮尔和格林已经创作出既通俗又具文学性的喜剧；基德写出了一部令正厅后排座无虚席的悲剧；马洛则让诗歌与天才在大众舞台上大放异彩——自欧里庇得斯去世以来，它们在大众舞台上从未发挥过作用。

They perpetuate the myth of the lone genius.

它们使孤独天才的神话得以延续。

It can’t when so many more employers have so much more access to so much more above average cheap foreign labor, cheap robotics, cheap software, cheap automation and cheap genius.

当越来越多的雇主能够获得越来越多高于一般水平的廉价外国劳动力、廉价机器人、廉价软件、廉价自动化设备和廉价天才时，一般水平的人就不可能再挣到那么多了。

The second half of the 20th century saw a collection of geniuses, warriors, entrepreneurs and visionaries labour to create a fabulous machine that could function as a typewriter and printing press, studio and theatre, paintbrush and gallery, piano and radio, the mail as well as the mail carrier.

20世纪下半叶，一批天才、斗士、企业家和远见卓识者努力创造出一台神奇的机器，它可以充当打字机和印刷机、工作室和剧院、画笔和画廊、钢琴和收音机，既是邮件，也是邮递员。