portrait中等

Throughout the trip, Jackson juggled multiple cameras and plate sizes using the “collodion process” that required him to coat the plates with a chemical mixture, then expose them and develop the resulting images with a portable darkroom. The crude technique required educated guesses on exposure times, and involved heavy, awkward equipment — several men had to assist in its transportation. Despite these challenges, Jackson captured dozens of striking photos, ranging from majestic images like his now-famous snapshot of Old Faithful, to casual portraits of expedition members at the camp. While veterans of previous expeditions wrote at length about stunning trail sights, these vivid photographs were another thing entirely.

在整个旅途中，杰克逊使用“火棉胶工艺”同时摆弄多台相机和多种尺寸的底片，这种工艺要求他先给底片涂上一层化学混合物，然后曝光，再用便携式暗室冲洗出影像。这种简陋的技术需要凭经验推测曝光时间，而且所用设备笨重难使——需要好几个人协助搬运。尽管困难重重，杰克逊还是拍下了几十张引人注目的照片，从他那张如今已闻名于世的老忠实泉快照这样的壮丽画面，到营地里考察队员的随意肖像，不一而足。以往考察的老手们曾长篇累牍地描写沿途的壮丽景色，而这些生动的照片则完全是另一回事。

Even Mark Twain, a man who enjoyed a hearty laugh, said that when it came to photographic portraits there could be “nothing more damning than a silly, foolish smile fixed forever”.

就连喜欢开怀大笑的马克·吐温也说过，说到肖像照，“没有什么比一个被永远定格的傻乎乎的笑容更糟糕的了”。

What does the author say about the Victorian portraits he has collected?

关于自己收集的维多利亚时代肖像照，作者说了什么？