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n. 艺术家，美术家41 次
We are eliminating a stage, booking fewer performers and making additional cuts to reduce our costs, all while striving to keep the festival as vibrant as ever, as supportive of local artists and businesses, and as true to Wicker Park’s unique spirit and reputation as festgoers have come to expect.
我们撤掉了一个舞台，邀请的表演者也减少了，还进行了其他削减以降低成本，同时努力让节庆一如既往地充满活力、一如既往地支持本地艺术家和商家，并一如既往地保持游客所期待的柳条公园独特精神与声誉。
count on amateur artists’ participation.
依靠业余艺术家的参与。
study drama under RSC artists.
跟随RSC艺术家学习戏剧。
A Polish digital artist who uses classical painting styles to create dreamy fantasy landscapes, Greg Rutkowski has made illustrations for games such as Dungeons & Dragons and Magic: The Gathering.
格雷格·鲁特科夫斯基是一位波兰数字艺术家，他用古典绘画风格创作梦幻般的奇幻风景，曾为《龙与地下城》和《万智牌》等游戏绘制插图。
But these open-source programs are built by scraping images from the internet, often without permission and proper attribution to artists.
但这些开源程序是靠从互联网上抓取图像构建的，而且往往未经艺术家许可，也没有恰当地注明出处。
And artists like Rutkowski have had enough.
而像鲁特科夫斯基这样的艺术家已经忍无可忍。
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Other artists besides Rutkowski have been surprised by the apparent popularity of their work in text-to-image generators — and some are now fighting back.
除鲁特科夫斯基外，其他艺术家也对自己的作品在文本生成图像工具中明显受欢迎感到吃惊——其中一些人现在正在进行反击。
Artists say they risk losing income as people start using AI-generated images based on copyrighted material for commercial purposes.
艺术家们表示，随着人们开始将基于受版权保护素材生成的人工智能图像用于商业目的，他们面临着收入减少的风险。
“There is a coalition growing within artist industries to figure out how to tackle or mitigate this,” says Ortiz.
“艺术行业内部正在形成一个联盟，研究如何解决或缓解这一问题，”奥尔蒂斯说。
One suggestion is that AI models could be trained on images in the public domain, and AI companies could forge partnerships with museums and artists, Ortiz says.
奥尔蒂斯说，有一项建议是，人工智能模型可以使用公有领域的图像进行训练，人工智能公司也可以与博物馆和艺术家建立合作关系。
Artists’ responses to AI art generation.
艺术家对人工智能艺术生成的回应。
Though Native Americans (and later miners and fur trappers) had long recognized the area’s riches, most Americans did not. That’s why Hayden’s expedition aimed to produce a fuller understanding of the Yellowstone River region, from its hot springs and waterfalls to its variety of flora and fauna. In addition to the entourage of scientists, the team also included artists: Painter Thomas Moran and photographer William Henry Jackson were charged with capturing this astounding natural beauty and sharing it with the world.
尽管美洲原住民（以及后来的矿工和毛皮猎人）早就认识到该地区的富饶，但大多数美国人并不了解。这就是为什么海登的考察旨在更全面地了解黄石河地区，从温泉、瀑布到各种动植物。除了随行的科学家，考察队还有艺术家：画家托马斯·莫兰和摄影师威廉·亨利·杰克逊负责捕捉这令人惊叹的自然之美，并将其与世界分享。
And sometimes, it’s not the artist’s fault.
而有时候，这并不是艺术家的错。
In the 1960s, the Italian artist Piero Gilardi began to create hundreds of bright, colorful foam pieces.
20世纪60年代，意大利艺术家皮耶罗·吉拉尔迪开始创作数百件色彩鲜艳的泡沫作品。
These were some of the words that Nature readers used to describe their experience of art-science collaborations in a series of articles on partnerships between artists and researchers.
在一系列关于艺术家与研究人员合作的文章中，《自然》杂志的读者用这些词来描述他们参与艺术与科学合作的经历。
Nearly 40% of the roughly 350 people who responded to an accompanying poll said, they had collaborated with artists; and almost all said they would consider doing so in future.
在回应随文调查的约350人中，近40%的人说他们曾与艺术家合作过；而且几乎所有人都说，他们将来会考虑这样做。
Scientists are increasingly seeking out visual artists to help them to communicate their work to new audiences.
科学家们越来越多地寻求视觉艺术家的帮助，以便向新的受众传播他们的工作。
“Artists help scientists reach a broader audience and make emotional connections that enhance learning.” One respondent said.
一位受访者说：“艺术家帮助科学家接触到更广泛的受众，并建立能促进学习的情感联系。”
One example of how artists and scientists have together rocked the senses came last month when the Sydney Symphony Orchestra performed a reworked version of Antonio Vivaldi’s The Four Seasons.
艺术家和科学家如何共同带来感官震撼的一个例子发生在上个月：悉尼交响乐团演奏了安东尼奥·维瓦尔第《四季》的改编版。
Fewer artists than scientists responded to the Nature poll; however, several respondents noted that artists do not simply assist scientists with their communication requirements.
回应《自然》调查的艺术家比科学家少；不过，有几位受访者指出，艺术家不只是协助科学家满足其传播需求。
Fewer artists than scientists responded to the Nature poll; however, several respondents noted that artists do not simply assist scientists with their communication requirements.
回应《自然》调查的艺术家比科学家少；不过，有几位受访者指出，艺术家不只是协助科学家满足其传播需求。
The alliances are most valuable when scientists and artists have a shared stake in a project, are able to jointly design it and can critique each other’s work.
当科学家和艺术家在一个项目中有共同的利害关系、能够共同设计项目并能相互评论对方的工作时，这种联盟才最有价值。
Light was a something that both artists and scientists had an interest in, and therefore could form the basis of collaboration.
光是艺术家和科学家都感兴趣的东西，因此可以成为合作的基础。
As science and technology progressed, and divided into more sub-disciplines, the centre was simultaneously looking to a time when leading researchers could also be artists, writers and poets, and vice versa.
随着科学技术不断进步并分化出更多的分支学科，该中心同时也在期待这样一个时代：顶尖的研究人员也可以是艺术家、作家和诗人，反之亦然。
Artists and scientists alike are immersed in discovery and invention, and challenge and critique are core to both, too.
艺术家和科学家同样沉浸于发现和发明之中，而挑战和批评也同样是两者的核心。
Some artists seem to worry that in the art-science partnership ____
一些艺术家似乎担心，在艺术与科学的合作中____
It was headed alternately by artists and scientists.
它由艺术家和科学家轮流领导
Its founders sought to raise the status of artists.
它的创始人力图提高艺术家的地位
Soon after Sketches by Boz appeared, a publishing firm approached Dickens to write a story in monthly installments, as a backdrop for a series of woodcuts by the then-famous artist Robert Seymour, who had originated the idea for the story. With characteristic confidence, Dickens successfully insisted that Seymour’s pictures illustrate his own story instead. After the first installment, Dickens wrote to the artist and asked him to correct a drawing Dickens felt was not faithful enough to his prose. Seymour made the change, went into his backyard, and expressed his displeasure by committing suicide. Dickens and his publishers simply pressed on with a new artist. The comic novel, The Posthumous Papers of the Pickwick Club, appeared serially in 1836 and 1837, and was first published in book form in 1837.
《博兹随笔》问世后不久，一家出版公司找到狄更斯，请他按月分期创作一个故事，作为当时著名画家罗伯特·西摩一系列木刻画的背景故事，而这个故事的构想最初正是出自西摩。狄更斯以他特有的自信，成功地坚持让西摩的画反过来为他自己的故事配图。第一期刊出后，狄更斯写信给这位画家，要求他修改一幅狄更斯认为不够忠实于其文字的插图。西摩改了画，走进自家后院，以自杀的方式表达了他的不满。狄更斯和他的出版商干脆换了一位新画家继续推进。这部喜剧小说《匹克威克俱乐部遗稿》于1836年和1837年连载，并于1837年首次以书籍形式出版。
Soon after Sketches by Boz appeared, a publishing firm approached Dickens to write a story in monthly installments, as a backdrop for a series of woodcuts by the then-famous artist Robert Seymour, who had originated the idea for the story. With characteristic confidence, Dickens successfully insisted that Seymour’s pictures illustrate his own story instead. After the first installment, Dickens wrote to the artist and asked him to correct a drawing Dickens felt was not faithful enough to his prose. Seymour made the change, went into his backyard, and expressed his displeasure by committing suicide. Dickens and his publishers simply pressed on with a new artist. The comic novel, The Posthumous Papers of the Pickwick Club, appeared serially in 1836 and 1837, and was first published in book form in 1837.
《博兹随笔》问世后不久，一家出版公司找到狄更斯，请他按月分期创作一个故事，作为当时著名画家罗伯特·西摩一系列木刻画的背景故事，而这个故事的构想最初正是出自西摩。狄更斯以他特有的自信，成功地坚持让西摩的画反过来为他自己的故事配图。第一期刊出后，狄更斯写信给这位画家，要求他修改一幅狄更斯认为不够忠实于其文字的插图。西摩改了画，走进自家后院，以自杀的方式表达了他的不满。狄更斯和他的出版商干脆换了一位新画家继续推进。这部喜剧小说《匹克威克俱乐部遗稿》于1836年和1837年连载，并于1837年首次以书籍形式出版。
Soon after Sketches by Boz appeared, a publishing firm approached Dickens to write a story in monthly installments, as a backdrop for a series of woodcuts by the then-famous artist Robert Seymour, who had originated the idea for the story. With characteristic confidence, Dickens successfully insisted that Seymour’s pictures illustrate his own story instead. After the first installment, Dickens wrote to the artist and asked him to correct a drawing Dickens felt was not faithful enough to his prose. Seymour made the change, went into his backyard, and expressed his displeasure by committing suicide. Dickens and his publishers simply pressed on with a new artist. The comic novel, The Posthumous Papers of the Pickwick Club, appeared serially in 1836 and 1837, and was first published in book form in 1837.
《博兹随笔》问世后不久，一家出版公司找到狄更斯，请他按月分期创作一个故事，作为当时著名画家罗伯特·西摩一系列木刻画的背景故事，而这个故事的构想最初正是出自西摩。狄更斯以他特有的自信，成功地坚持让西摩的画反过来为他自己的故事配图。第一期刊出后，狄更斯写信给这位画家，要求他修改一幅狄更斯认为不够忠实于其文字的插图。西摩改了画，走进自家后院，以自杀的方式表达了他的不满。狄更斯和他的出版商干脆换了一位新画家继续推进。这部喜剧小说《匹克威克俱乐部遗稿》于1836年和1837年连载，并于1837年首次以书籍形式出版。
Rather than portraying landscape, land artists used the physical substance of the land itself as their medium.
大地艺术家们不是描绘风景，而是把土地本身的物质实体当作创作媒介。
Long is Britain’s best-known Land Artist and his Stone Circle, a perfect ring of purplish rocks from Portishead beach laid out on the gallery floor, represents the elegant, rarefied side of the form.
朗是英国最著名的大地艺术家，他的《石圈》——用波蒂斯黑德海滩上的紫色岩石在画廊地板上摆成的一个完美圆环——代表了这种艺术形式优雅、高雅的一面。
Comprising artists Mark Boyle and Joan Hills and their children, they recreated random sections of the British landscape on gallery walls.
博伊尔一家由艺术家马克·博伊尔和琼·希尔斯及其子女组成，他们在画廊墙壁上再现了随意选取的英国风景片段。
Generally however British land artists preferred to get away from towns, gravitating towards landscapes that are traditionally considered beautiful such as the Lake District or the Wiltshire Downs.
然而总体来说，英国大地艺术家更喜欢远离城镇，倾向于那些传统上被认为美丽的风景，如湖区或威尔特郡丘陵。
In the case of Hamish Fulton, you can’t help feeling that the Scottish artist has simply found a way of making his love of walking pay.
说到哈米什·富尔顿，你会不由得觉得，这位苏格兰艺术家只是找到了一种让自己对徒步的热爱带来回报的方式。
originates from a long walk that the artist took.
源于艺术家的一次长途徒步。
His reports [paralleled] the “Willie” cartoons of famed Stars and Stripes artist Bill Maulden.
他的报道与《星条旗报》著名画家比尔·莫尔登的“威利”系列漫画相映成趣。
The Romantics commemorated the leading painters and authors of their day, stressing the uniqueness of the artist’s personal experience rather than public glory.
浪漫主义者纪念他们那个时代的杰出画家和作家，强调的是艺术家个人经历的独特性，而非公众荣耀。
highlighted the public glory of the leading artists.
突出杰出艺术家的公众荣耀。
Tommasini regards Gilbert as an artist who is ____
托马西尼认为吉尔伯特是一位____艺术家。