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a. 经典的，古典（文学）的17 次
A Polish digital artist who uses classical painting styles to create dreamy fantasy landscapes, Greg Rutkowski has made illustrations for games such as Dungeons & Dragons and Magic: The Gathering.
格雷格·鲁特科夫斯基是一位波兰数字艺术家，他用古典绘画风格创作梦幻般的奇幻风景，曾为《龙与地下城》和《万智牌》等游戏绘制插图。
He specializes in classical painting digitalization.
他专门从事古典绘画的数字化。
He quotes a giant of classical economics, Alfred Marshall, in describing this financial impatience as acting like “children who pick the plums out of their pudding to eat them at once” rather than putting them aside to be eaten last.
他引用古典经济学巨匠阿尔弗雷德·马歇尔的话，把这种金融上的急躁形容为就像“孩子们把布丁里的李子挑出来立刻吃掉”，而不是把它们放在一边留到最后吃。
(46) By the date of his birth Europe was witnessing the passing of the religious drama, and the creation of new forms under the incentive of classical tragedy and comedy.
(46) 到他出生时，欧洲正在见证宗教剧的消亡，以及在古典悲剧和喜剧的激励下新的戏剧形式的诞生。
These new forms were at first mainly written by scholars and performed by amateurs, but in England, as everywhere else in western Europe, the growth of a class of professional actors was threatening to make the drama popular, whether it should be new or old, classical or medieval, literary or farcical.
这些新形式起初主要由学者创作、由业余演员表演，但在英国，正如在西欧其他各地一样，职业演员阶层的壮大正使戏剧趋于大众化，无论它是新是旧，是古典的还是中世纪的，是文学性的还是闹剧性的。
Today, professors routinely treat the progressive interpretation of history and progressive public policy as the proper subject of study while portraying conservative or classical liberal ideas — such as free markets and self-reliance — as falling outside the boundaries of routine, and sometimes legitimate, intellectual investigation.
如今，教授们习惯性地把进步主义的历史解读和进步主义的公共政策当作正当的研究对象，而把保守主义或古典自由主义的思想——如自由市场和自力更生——描绘成不属于常规的、有时甚至是不属于正当的学术研究范围。
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biased against classical liberal ideas.
对古典自由主义思想抱有偏见。
In 1337, Petrarch began work on his rambling writing De Viris Illustribus — On Famous Men, highlighting the virtus (or virtue) of classical heroes.
1337年，彼特拉克开始撰写他那部散漫冗长的著作《名人传》，着重彰显古典英雄的美德。
emphasized the virtue of classical heroes.
强调古典英雄的美德。
[According to] one classical theory of emotion, our feelings are partially rooted [in] physical reactions.
根据一种经典的情绪理论，我们的感受部分源于身体反应。
The decision of the New York Philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2009.
自2009年突然宣布任命艾伦·吉尔伯特以来，纽约爱乐乐团聘请他担任下一任音乐总监的决定一直是古典音乐界热议的话题。
“Hooray! At last!” wrote Anthony Tommasini, a sober-sided classical-music critic.
“好哇！终于等到了！”一向严肃的古典音乐评论家安东尼·托马西尼写道。
For the time, attention, and money of the art-loving public, classical instrumentalists must compete not only with opera houses, dance troupes, theater companies, and museums, but also with the recorded performances of the great classical musicians of the 20th century.
为了争取热爱艺术的公众的时间、注意力和金钱，古典器乐演奏家不仅要与歌剧院、舞蹈团、剧团和博物馆竞争，还要与20世纪伟大古典音乐家的演出录音竞争。
For the time, attention, and money of the art-loving public, classical instrumentalists must compete not only with opera houses, dance troupes, theater companies, and museums, but also with the recorded performances of the great classical musicians of the 20th century.
为了争取热爱艺术的公众的时间、注意力和金钱，古典器乐演奏家不仅要与歌剧院、舞蹈团、剧团和博物馆竞争，还要与20世纪伟大古典音乐家的演出录音竞争。
The widespread availability of such recordings has thus brought about a crisis in the institution of the traditional classical concert.
因此，这类录音的广泛普及给传统古典音乐会这一体制带来了危机。
One possible response is for classical performers to program attractive new music that is not yet available on record.
一种可能的应对办法是，古典音乐演奏者安排演出尚未录制成唱片的、有吸引力的新音乐。
Gilbert's own interest in new music has been widely noted: Alex Ross, a classical-music critic, has described him as a man who is capable of turning the Philharmonic into “a markedly different, more vibrant organization.”
吉尔伯特本人对新音乐的兴趣已广为人知：古典音乐评论家亚历克斯·罗斯称他有能力把爱乐乐团变成“一个截然不同、更具活力的团体”。